CCTV News:According to China Weather Network News, it is reported that on the afternoon of March 31, 2019, a "tornado" struck the 10,000-acre pear garden in Tianmiao Township, Yucheng County, which caused a trampoline to fall, causing 18 children to be injured to varying degrees. According to experts’ analysis, the weather system that overturns the trampoline is not a "tornado", and it is more accurate to call it a dust storm.

　　According to the propaganda department of Yucheng County Committee, at 15 o’clock on the afternoon of March 31, 2019, the Wanmu Pear Garden in Tianmiao Township, Yucheng County was suddenly hit by a tornado, which caused a trampoline on the scene to fall, causing 18 children on the scene to be injured to varying degrees. After the incident, the main leaders of Yucheng County Party Committee and government attached great importance to it, immediately launched the emergency plan, arranged the health planning department to treat it quickly at all costs, and the relevant county leaders led the relevant personnel of the Public Security Bureau, Health and Health Commission, Emergency Management Bureau, Tianmiao Township and other units to rush to the scene to organize rescue, verify the injuries of the masses, and do a good job in the aftermath.

　　Judging from the live video, it is more accurate to call the weather system a dust storm when it blows down. The incident occurred in the inland area. From the video given, it was clear at that time, and there were no cumulonimbus clouds in the sky, and the occurrence range was very small. It should be more accurate to call it dust storm. Dust storm refers to a small-scale cyclone generated in the near-surface gas layer by local strong warming, which can lift dust and some small objects into the air to form a small dust column with a diameter of several meters and a duration of only a few minutes. "Dust storm" generally appears on land, mostly in grassland, desert and other places, and its scope is usually small and its destructive power is limited. Such a strong dust storm is extremely rare.

　　What’s the difference between a dust storm and a tornado? Although dust storms and tornadoes belong to small-scale strong cyclones, their conditions and ranges are different. Tornadoes generally appear when there are cumulonimbus clouds in the sky, accompanied by thunderstorms and strong winds, etc., with a large diameter and lasting for more than ten minutes to several hours; Dust storms generally appear on land. When they appear, the sky is clear, and the diameter is only a few meters, which lasts for a few minutes or so.

　　There have been dust storms in other parts of China. At about 4: 25pm on April 20th, 2016, a "tornado" occurred in the plastic sports ground in Guazhou County, Gansu Province, with strong wind. Li Jiaqi, a student in Class 3 (1) of Yuanquan Primary School who was having a sports meeting, was rolled up and then left behind. After 120 emergency medical diagnosis, Li Jiaqi was slightly injured in the back of the head, which was not serious.

Cartography: Cai Huawei

　　From 1978 to 2018, 40 years of reform and opening up. This is a rare era of great changes in the history of China, from the mode of production, lifestyle, values to basic necessities of life, there have been new changes in "modernization". Art is a mirror of reality, and realistic TV series is a vivid and intuitive reflection of this "living" historical image. Looking back on the past 40 years, what kind of development and changes have realistic TV dramas experienced, and what kind of artistic enlightenment have they provided?

　　In the 1980s, the selection of materials was influenced by the trend of reform literature.

　　After the reform and opening up, television has gradually become popular, and television has become a very convenient window for people to receive information, and TV plays have gradually become one of the most common artistic needs. In the 1980s, TV stations integrated production and broadcasting, and TV dramas were mostly self-made and broadcast by TV stations. Almost all TV stations above the provincial level had their own TV drama departments (later changed to production centers and later changed to production companies). In this period, TV communication technology and literature and art just became attached to each other, and the material selection was influenced by the literary trend at that time. The realistic TV series was directly based on novels, and so was the film. The ideological trend of "reforming literature" was the main content of realistic novels at that time. Its main purpose was to think about reality and call for reform, and a large number of works emerged, which attracted much attention from the society. For example, The Appointment of Director Joe, The New Star, The Years Wasted, etc., all these works have produced great social repercussions after being made into TV series. It can be said that the early realistic dramas basically revolved around the idea of "reform and opening up", which was also the main trend of literature and art at that time. As a new art form, TV drama can’t be separated from this main trend of literature and art. This is why the early realistic drama set off a "reform wind" and won the audience for the TV series. Voice-over of female reporter, Basan and her siblings, Snow Field, Love, Ge shopkeeper, There is such a policeman, Fence, Women and Dogs, Ordinary People, Ordinary World, etc.They are all changes that focus on real life.

　　Life flows forward, and "change" is the biggest feature. During this period, the theme of realistic drama was relatively concentrated, people all had good wishes and hoped to create a rich and beautiful life, and the whole society was full of longing for the realization of the "four modernizations" in the future. The realistic dramas in this period are relatively simple and pure. Contradictions and conflicts are often conflicts in ideas and personalities. They struggle with conservative ideas, backward ideas and rigid systems, and break away from the tangible and intangible shackles. When ideas are opened, contradictions are solved, and there is no deeper conflict of interests, which is basically limited to personal quality and morality. In this period, the rational elements of realistic TV series are relatively heavy, and the most prominent feature is sincerity. It undertakes the thinking function of social reform through artistic aesthetic methods, and the "ratings" have not yet appeared, so it is impossible to interfere with the creation of TV series. When people create TV dramas, they are directed at the reflection and reflection of art on reality, and the main purpose is to express.

　　The 1990s witnessed social transformation and colorful life.

　　In the 1990s, with the continuous expansion of reform, the reality became increasingly complex and diverse, and TV dramas reflecting real life also went through that simple period.

　　The appearance of Desire has aroused widespread concern. The plot is full of ups and downs, and multiple contradictions are intertwined. The biggest feature is no longer to focus on reform and counter-reform, but to write the fate of people in this transitional era, and it is also the fate of citizens, which has shaped the vivid images of a generation of urbanites such as Song Dacheng, Liu Huifang, Wang Husheng and Wang Yaru. This also stems from the fact that the tide of reform began in the countryside and gradually spread to the city. With the rural reform, farmers get rid of the bondage of land, the outside world is wonderful, the tide of working quietly rises, and "Foreign Girls" comes. The drama reflects the life of migrant workers in Guangdong, which is a new opportunity, a new life, a new character and a great flavor of the times. Leaving the countryside to work hard, new opportunities have rewritten the fate of many rural youths. The drama has aroused great repercussions because it focuses on the fate of migrant workers for the first time, vividly showing the different fates of young women such as Zhao Xiaoyun, A Fang, Feng Zhen and pretty girls, as well as their uncontrollable love. Rural youth entering the city brings new stories, and urban youth going abroad also brings new stories. Peking Man in new york opens a window to the outside world. The play shows the real American scene through the experience of the protagonist Wang Qiming, which opens the eyes of the audience. Society is becoming more and more diversified, life is becoming more and more complicated, and people are inevitably confused. The Story of the Editorial Department shows the kaleidoscope of society through various things encountered by several editors of the Editorial Department of Human Guide. All kinds of people, strange things and various social topics have gathered in this editorial department, appealing for "A guide to the world. " This drama is the first sitcom in China, and its comedy style and various social phenomena attract the audience. With the diversification of society, new phenomena emerge one after another, which people need to interpret and understand. Society is changing, and the original morality and customs are being impacted by the tide of commodities. Where will society go? The Great Tide, Full of Love in the Pearl River, Black Sophora Tree, Hand in Hand and other works show different realistic scenes, conveying rich life information from rural areas to cities, from home to abroad, and telling a completely different life, which makes the audience dizzying.

　　The reality is changing with each passing day, fresh and unfamiliar, and TV plays are closely chasing the pace of life. The economy is developing, and corruption is also breeding. Works such as Walking through Liuyuan, Heaven is Above, and Snow Without Trace face the anti-corruption problem directly, highlighting the concept of eliminating evil and winning the favor of the audience. At the turn of the century, a number of military realistic dramas, such as Breaking through the encirclement, DA Division and Missile Brigade Commander, focused on military reform, expressed the requirements of the times and called for national spirit, which were loved by the audience. In a word, reality is constantly showing new content in the process of change. TV dramas with realistic themes are almost in sync with life, showing a variety of real life, showing the transformation of society and the beauty of life.

　　In the new century, art should respond to practical problems

　　In the 21st century, the social reality is becoming more and more complicated, the development is unbalanced and inadequate, and different regions, different classes and diverse values have formed a complicated situation of differentiation, so it is impossible for realistic TV dramas to reflect real life as simple as before. In the face of complicated reality, it has become a difficult problem which life phenomena can and can’t be put into play. Most people see light comedies, such as Country Love, Spring of Zhang Xiaowu, Beautiful Times of Daughter-in-law, Golden Marriage, Beijing Love Story, Parents’ Love, Du Lala’s Promotion, Happiness of the Boss, Happy Knocking at the Door, Long Live a Happy Life and Happy Life. These works, just from the name, can feel festive, warm and harmonious. It can be said that a kind of "light comedy" with "entertainment" as its main function has gradually become the production mode of realistic TV series.

　　Light comedy, the story mostly focuses on the relationship between husband and wife in the family, the relationship between mother-in-law and daughter-in-law, the education of children, the support of the elderly, etc., or between colleagues in the unit, friends and girlfriends, which are often caused by differences in ideas, generation gaps and misunderstandings. After some strong plot conflicts that do not give way to each other, the clouds finally cleared up and ushered in a happy reunion. The light comedy mode has indeed produced some excellent works, giving people a relaxed and pleasant aesthetic feeling. However, "mode" is a limited routine after all, which makes the realistic TV series’ reflection of reality not broad, profound and powerful enough. The enthusiasm and ability of realistic TV dramas to follow real life have weakened, the amount of information provided is far behind the content of reality itself, and the artistic tentacles are dull, which makes the audience’s expectation and attention to realistic TV dramas decrease.

　　In 2014, the General Secretary of the Supreme Leader presided over a symposium on literary and artistic work, pointing out that in terms of literary and artistic creation, "there are ‘ Plateau ’ Lack of ‘ Gaofeng ’ The phenomenon, there are problems of plagiarism, sameness, mechanized production and fast food consumption. " "Mechanized production" and "sameness" are model production. "Without excellent works, other things will be more lively and fancy, which is only superficial. It can’t really go deep into the people’s spiritual world, and it can’t touch people’s souls and resonate with people’s thoughts." This is exactly the case. Any works that can resonate with people’s thoughts will surely be eagerly concerned by the audience.

　　To create a peak, we must overcome difficulties, assume the responsibility of the times that art should bear, and take the initiative to answer practical questions with artistic thinking. This is the proposition of the times, and it is also an artistic answer. The quality of artistic works, in a sense, is reflected in the content of ideological content and the power of art to bear the responsibility of the times.

　　Literature and art not only have the function of entertainment, but also have the responsibility of promoting social progress. "All literary and artistic works that were sensational at that time and passed down to the future reflect the requirements of the times and the aspirations of the people." The realistic TV series has the most reason to adhere to the principle of realistic creation, face reality directly and respond to the times. The mission of the times is the theme of literature and art, especially the theme of realistic literature and art. Whether realistic TV series can achieve great success and lead the trend of literary and artistic creation again lies in whether it can truly and artistically reflect "the requirements of the times and the voice of the people". Literature and art in the new era should be literature and art that closely follows the pulse of the times, responds to the requirements of the times, and reflects the aspirations of the people. It should be literature and art that creates outstanding works worthy of the times and promotes social progress.

　　(Vice Chairman of Zhang Dexiang Chinese Literary Critics Association)

　　Beijing opera has always been regarded as the "quintessence of the country", which is popular all over the country and famous all over the world. In the development of Peking Opera, "Huiban going to Beijing" is a landmark event. The so-called "Huizhou Class" is a troupe mainly composed of Anhui artists (especially in Anqing). During the Qianlong period, Huizhou Class was popular in Yangzhou, and many Huizhou merchants in Yangzhou had private troupes. In the fifty-fifth year of Qianlong (1790), on the occasion of Emperor Qianlong’s eightieth birthday, Huiban was sent to Beijing to celebrate his birthday, and it has gradually flourished since then. During Jiaqing and Daoguang years, artists of Han tune also joined Huiban in Beijing to perform, and Huihan merged to gather the strengths of many people and developed into a Beijing opera mainly singing Xipi and Erhuang.

　　The well-known director Hu Mei’s new film "Into Beijing" focuses on the story of "Huiban going to Beijing" and reveals a legendary story about the origin of Peking Opera.

　　The poster film into Beijing is divided into two clues. One is based on Yue Jiu (played by Fu Dalong), a famous opera actress. During the Qianlong period, Yue Jiu, who sang the role of Dan, was once a famous opera star in Beijing. However, because of being framed by his peers, he was accused of singing gaudy operas and was banned from returning to Beijing to sing operas forever. Yue Jiu left Beijing sadly.

　　The expulsion of Yue Jiu, played by Fu Dalong, involved an important historical background, namely, the struggle between flowers and elegance in traditional Chinese opera. The so-called elegance means positive meaning, and the rulers regard Kunqu opera as the sound of elegant music; The so-called flower means vulgar or miscellaneous, which means that the flowers in the flower department are impure, and all local operas such as Qin opera, Luoluo opera and Erhuang tune are also called random play. On the surface, the dispute between elegance and elegance is the ruler’s "advocating elegance and restraining vulgarity". In fact, it is "the reflection of the aesthetic orientation of the citizen class and the merchant group challenging the ruling group and the literati group, and it is a dispute over the right to speak", so the smoke is silent.

　　Yue Jiu was expelled from Beijing and came to Yangzhou. He still loves drama, and it is still bigger than the sky. In the snow and ice, he practiced walking on beans, sweating profusely. He couldn’t help but eat the midnight snack. He went to the tree to induce vomiting. Someone asked him what was going on. He turned his eyelids and pointed to his eyes and said, "This is really old and yellow. It’s ugly to wear makeup." In order to win the opportunity to sing with the capital, he took out all his possessions. He sang only one play in the capital, but was reported by a villain and put into prison. He still practiced without fear … …

　　Yue Jiu practiced walking on beans, and Yue Jiu always held back his strength. He swallowed his grief and hatred, and he really couldn’t swallow the humiliation of being expelled. He wants to re-enter the capital, he wants to prove his innocence and act openly, and he is fighting for a sigh of relief!

　　Yue Jiu can’t swallow another clue of the wronged "Into the Capital", which revolves around Wang Runsheng (Ma Jinghan), the master martial artist of Chuntai Class. Wang Runsheng was discriminated against repeatedly because of his status as a player, and even his sweetheart Chun Rong (Olivia) could not get married.

　　Wang Runsheng (Ma Jinghan) and his sweetheart Chun Rong (Olivia) have a very humble status in history. Even an actress is regarded as a clown and beggar in society. Sometimes the social status of a player is even worse than that of a prostitute. Chunrong’s mother ridiculed Wang Runsheng, even if his Geng Tie was taken to a brothel, no one wanted it. Because prostitutes may be successful in my official career after they are redeemed, but it is difficult for actors to turn over. It is customary in past dynasties that actors cannot be officials. It is mentioned in the film that even if they are divorced, they will have to wait three generations before they can take the scientific examination.

　　Unlike Yue Jiu, Wang Runsheng didn’t love singing opera at first. He only regarded singing opera as a means of making a living, thinking of going home to farm after eloping with Chun Rong. Unable to elope, he abandoned himself for a while. However, when he saw Yue Jiu’s obsession with drama, and saw that Yue Jiu never belittled himself, others naturally thought highly of him, especially with the guidance and help of the confidante Feng Gege (Ma Yili), he gradually understood that if he wanted others to respect him, he would have to live up to his expectations and respect himself.

　　Feng Gege, played by Ma Yili, is an opera idiot. He and Wang Runsheng have an emotional relationship. The surface story of Entering the Capital is how two exiled, discriminated and degraded actors fight for their own breath. In the climax of the film, Wang Runsheng and Yue Jiuqiang joined hands to give a wonderful drama in front of Ganlong, and got a "good" from Ganlong! Yue Jiu once told Wang Runsheng that singing opera is to live well for this sound. In the historical context at that time, there is nothing more glorious than going to Beijing to be holy and being affirmed by the holy.

　　Under the surface story of Yue Jiu singing opera in front of Gan Long, Entering the Capital also traces the birth history of Peking Opera, eulogizing the opera masters who have made great contributions to the development of Peking Opera, and eulogizing the famous or unknown "Yue Jiu" and "Wang Runsheng".

　　After watching the movie, it is hard for the audience not to be moved by Yue Jiu. On the one hand, thanks to Fu Dalong’s superb acting skills, he has become one with Yue Jiu. Every time he raises his hand, throws his foot, holds his heart, frowns and opens his mouth, he has the grace, demeanor and character of a master of traditional Chinese opera.

　　On the other hand, Zou Jingzhi, the screenwriter, is deeply attached to this role. Zou Jingzhi himself is a veteran Beijing opera lover. He has fully integrated his love for Beijing opera into the story, and the classic role of Yue Jiu has also condensed the common spirit of all opera masters — — "Three good voices on the stage, ten years of work under the stage", "Ten-year champion, a hundred-year actor", they study hard and never slacken, and always strive for perfection in the art of traditional Chinese opera. It is because of them that traditional Chinese opera can be developed and passed down, and Peking Opera can be born.

　　From this point of view, Entering Beijing is actually a love letter or a thank-you letter written to Peking Opera and the masters of traditional Chinese opera in history.

　　Behind the development of Beijing Opera, there are countless efforts of opera masters like Yue Jiu. Entering Beijing is not without its shortcomings. Zou Jingzhi’s plays are relatively "steady", and Hu Mei is slow and steady in the process of restoration. However, because of the mediocrity of the lens language, the redundancy of some narrative bridges, and the fact that the acting skills of several other young actors can’t match those of Fu Dalong Ma Yili, the whole movie looks steady and has a strong flavor of TV movies.

　　But on the whole, Entering Beijing is still worth seeing. The decline of traditional opera art has become an indisputable fact. At present, not many young people love going to the theatre, and the traditional opera art itself is also facing problems such as the decline of creation, insufficient development funds, and lack of performing talents. Some opera arts are even at risk of extinction. Although we can’t expect a film "Into the Capital" to arouse young people’s love for opera, it can at least let more people know about Peking Opera, and understand that behind every opera that has been passed down from thousands of years ago, countless people’s painstaking efforts have been condensed, and countless people’s love for "playing beyond the sky" has been poured into it, and young audiences have a deep respect for traditional opera. One more attention, one more hope.

The annual Chengdu Auto Show is about to open on the 30th, and it is also the launch/listing of a large wave of new cars. This is also the most important opportunity to show up before the arrival of the "Golden September and Silver 10" car selling season, but both mules and horses will be pulled out. Today, I will give you an inventory of new cars worthy of attention.

Seal 06GT starts.

Seal 06 GT has a length, width and height of 4630/1880/1490mm and a wheelbase of 2820mm respectively. The design style of the whole vehicle is sports-oriented, especially the large diffuser decorative board at the rear of the car, which seems to be a nuisance.

The new car will have two battery packs and three battery life versions, namely, the standard battery life version of 505 kilometers, the long battery life version of 605 kilometers and the four-wheel drive performance version of 550 kilometers. In terms of comprehensive price, it may be the cheapest performance car you can buy.

Nezha s hunting edition goes on sale.

The length, width and height of the Nezha S Hunting Edition are 4980/1980/1480mm and the wheelbase is 2980mm, which is the size of medium and large cars, and you can buy it for less than 200,000 yuan. Even BYD has not rolled up to this point, so there is no need to worry about the space inside the car, and the face brought by the big car is more sufficient.

Nezha S Hunting Edition will be an extended-range model, equipped with Haozhi 2.0 super extended-range system, using 1.5L range extender and 43.88kWh battery pack. CLTC has a pure battery life of 300 kilometers and a comprehensive battery life of over 1,200 kilometers. Driving such a car to find poetry and distance, a real thing full of relaxation.

Jiyue 07 pre-sale

The length, width and height of the new car are 4953/1989/1475mm, and the wheelbase is 3013 mm. It adopts the slip back design, and the lines of the car body are very smooth, and the profile design is also silky and looks very comfortable. The design style that is basically used in the car, simple wind+embracing feeling, and the steering wheel also has a relatively personalized U-shape.

Extreme Yue 07 will have three power versions, and the low version is 400V architecture and single motor. Equipped with 800V architecture, the maximum power of dual motors reaches 530kW, which is also a tit-for-tat with SU7. I believe that it has the strength similar to or beyond SU7. After all, Geely’s vast platform that produces it can make millions of Lotus, and 200,000 cars are even more pinched.

SAIC Volkswagen Passat PRO started.

Passat PRO takes a younger route in overall design. The penetrating taillights are very distinctive, but the front face will still have two styles. The picture above shows the regular version, while the R-Line version will have an all-black big mouth air intake, and the passenger entertainment screen will be added in the car. The length, width and height of the new car are 5006/1850/1489mm and the wheelbase is 2871mm, which is the same as the cash, but the length of the car has increased. It is also rare in Passat family history to exceed 5 meters.

In terms of power, 1.5T and 2.0T engines will be used, with the maximum power of 118kW and 162kW respectively, both of which are matched with 7-speed powershift. Referring to the test drive experience of L PRO, the power output of 2.0T engine is still very powerful, and friends who like oil cars can still trust Volkswagen.

How about pure electric steel cannon, extended-range hunting car, pure electric sports car and old fuel medium-sized car, which one do you prefer? Please leave a message in the comment area to discuss!

1905 movie network news China’s first western wasteland monster movie was launched online on November 20th. The film is supervised and produced by Jin Wanglai, directed by Li Liming, starring Jin Yana, Yu Xinyan, Zhao Zhenhua, Wen Qi and other actors, especially Yan’neng Shi.

The film mainly tells the story of the early years of the Republic of China, when the Dune town in the northwest desert was attacked by unknown monsters. The sharpshooters Liu Ying, Datou and other town children fought against the monsters and saved their homes with the help of researchers Liu Mengxi and Xia Xuan of Northwest Research Institute.

　

Wild animals create wonders in the west, and hunting teams stage Jedi survival.

Different from the previous monster films, The Monster of the Sand Sea puts its geographical background in the northwest desert, which is rarely shown in domestic film and television dramas. No matter the style and texture of the picture or the unique crisis setting, it stands out among the monster films with traditional routines. The desert with yellow sand rolling and the monster surging into the tide have created a very oppressive doomsday scene. The mayor of Dune Town was forced to lead the people to give up their hard-built homes and live in dark and claustrophobic underground caves. Faced with such a desperate situation, they did not flinch. Under the leadership of the archer Liu Ying, the hunting team fought for a tiny chance of survival in the raging sea and under the front teeth and claws of the monster. The scene of fighting between man and the monster can be described as wonderful and hearty.

The arrival of Liu Mengxi and Xia Xuan, researchers of Northwest Research Institute, ushered in the opportunity to change adversity in Dune Town. Liu Ying led the hunting team and followed Liu Mengxi to the Northwest Research Institute base to find the mother beast stock solution that he could fight against monster virus. Will the dawn of victory come as scheduled?

The behind-the-scenes team strives to create an immersive experience and give the audience a visual feast.

Jin Wanglai is the producer and chief producer of The Monster of the Sand Sea, and his films, such as Journey to the West, Monkey, have gained good reputation and box office. This time, he joined forces with director Li Liming, breaking through the fantasy theme of costume that he was good at in the past, developing new fields, carefully polishing the script, and devoting himself to creating a western monster movie belonging to China, which aroused high expectations from the audience.

However, the unique narrative space and the fierce and strange monsters make The Monster of the Sea of Sand live up to expectations. The film’s main narrative scenes are in underground caves, deserts and abandoned research bases, which are very western wasteland style, which largely breaks the audience’s aesthetic fatigue. Narrow and claustrophobic space, monsters who can hear and distinguish their positions, and the crowds of monsters, last stand, stimulate the feelings and upgrade, which is very noticeable. It is reported that in order to give the audience an excellent immersion experience, the behind-the-scenes team not only made many real shots, but also spent great energy to build a real desert and abandoned research institute. In terms of special effects, the top special effects production team in China was invited to participate in the post-special effects production to escort the visual presentation of the film.

Old drama bones help young actors, and their emotions are rich and martial arts are enjoyable.

Xiao Bo, the actor of the movie "The Green Snake’s Beast City", plays Liu Mengxi, a researcher of the Institute of Biology with outstanding martial arts and perseverance in "The Monster of the Sand Sea". Liu Ying, the archer with a hundred shots, is played by Jin Yana, who is very popular with the audience for her works such as "Journey to the West" and "Monkey of the Great God". The performance of the two men in the film is very eye-catching, especially their contribution to the wonderful fighting. They not only have fierce fighting, but also have high-burning scenes of fighting monsters together. Each move and style has undergone strict training, which makes people dazzled and addicted. The joining of Zhang Shuangli and Yan’neng Shi, the veteran actors, has fully aroused the emotional resonance of young actors and collided with many famous scenes that made people cry.

The movie "The Monster of the Sand Sea" has been launched online, and the monster is killed in the sand sea!

　　Xinhua News Agency, Beijing, June 9 th, news analysis: The growth rate of foreign trade rebounded in May, reflecting the warmth of the economy and the need to strengthen foreign trade.

　　Xinhua News Agency reporter Zou Duowei and Xie Xiyao

　　According to the data released by the General Administration of Customs on June 9, in the first five months of 2022, the total import and export value of China’s goods trade was 16.04 trillion yuan, an increase of 8.3% over the same period last year. Among them, the import and export in May increased by 9.6% year-on-year and 9.2% month-on-month, respectively, and the cumulative growth rate and monthly growth rate rebounded from last month.

　　Analysts believe that compared with April, the signs of recovery in foreign trade import and export in May sent a positive signal of economic recovery.

　　According to Li Kuiwen, director of the Statistics and Analysis Department of the General Administration of Customs, the import and export of foreign trade achieved steady growth in the first five months, especially in May, the import and export of goods in the Yangtze River Delta region increased by nearly 20% month-on-month, and the import and export recovered significantly.

　　On June 9, 2022, a cargo ship was loading foreign trade containers at the fully automated terminal of Qingdao Port, Shandong Port. Xinhua News Agency (photo by Yu Fangping)

　　Since March this year, foreign trade has been under pressure to slow down due to the epidemic situation in the Yangtze River Delta, Pearl River Delta and other "foreign trade towns" to varying degrees, coupled with the high base in the same period last year, the Russian-Ukrainian conflict and the surge in commodity prices.

　　In order to help foreign trade enterprises to guarantee orders, markets and confidence, the CPC Central Committee and the State Council have recently deployed a series of measures to stabilize foreign trade intensively, and implemented policies to help enterprises out of difficulties in terms of ensuring smooth logistics, increasing fiscal and taxation support, and speeding up export tax rebates and customs clearance efficiency, which effectively helped stabilize the basic market of foreign trade.

　　From the data of foreign trade in the first five months, China’s foreign trade situation has improved, and both imports and exports with major trading partners have increased.

　　In the first five months, ASEAN continued to be China’s largest trading partner, accounting for 14.8% of China’s total foreign trade value; In the same period, China’s economic and trade exchanges with countries along the "Belt and Road" were also closer, with imports and exports increasing by 16.8% year-on-year, accounting for 31.9% of China’s total foreign trade value, effectively promoting the complementary advantages of the industrial chain and supply chain.

　　A series of assistance policies constantly stimulate the vitality of foreign trade market players. The data shows that in the first five months, the number of foreign trade enterprises with import and export performance in China increased by 5% year-on-year, providing solid support for stabilizing foreign trade. Among them, the import and export of private enterprises, the main force of foreign trade, increased by 11.8%, accounting for 49% of China’s total foreign trade value, up by 1.5 percentage points year-on-year.

　　In addition, the export of some high-tech and high value-added products has maintained rapid growth, demonstrating the continuous improvement of the competitiveness of foreign trade export products. In the first five months, China exported 5.11 trillion yuan of mechanical and electrical products, an increase of 7%, accounting for 57.2% of the total export value. Among them, the automobile was 119.05 billion yuan, an increase of 57.6%.

　　On May 26, 2022, in Taihe County, Fuyang City, Anhui Province, workers of a garment enterprise produced garments exported overseas. Xinhua News Agency (photo by Liang Xiaopeng)

　　Regarding the reasons for the rebound in foreign trade growth, Zhang Yu, deputy director of the International Economic and Trade Research Office of the Institute of Finance and Economics of China Academy of Social Sciences, believes that on the one hand, with the improvement of the epidemic prevention and control situation, all localities have gradually resumed work and production, and logistics, transportation, production and operation have improved; On the other hand, a series of measures from the central government to the local government have been accelerated to take effect, which has played a promoting role in stabilizing the basic development of foreign trade.

　　Although the development of foreign trade showed a recovery growth trend, experts said that they should remain awake and should not be blindly optimistic because the data improved.

　　Zhang Yu believes that the current economic situation at home and abroad is still complicated and severe. China’s foreign trade development still faces many uncertain factors such as epidemic situation, Fed’s interest rate hike, geopolitics, exchange rate fluctuations, etc. It is still necessary to further resolve the pressure and stabilize expectations to maintain stability and improve the quality of foreign trade.

　　The the State Council executive meeting held on June 8th emphasized that stabilizing foreign trade and foreign investment is related to the overall economic situation and the overall employment situation. While implementing the policy of stabilizing foreign trade and foreign investment, we will further increase support. The meeting made further arrangements from the aspects of expanding the import of high-quality products, maintaining the stability of the international industrial chain supply chain, and studying the phased reduction and exemption of port-related charges.

　　"The superposition of these policies will definitely promote the growth of foreign trade." Wang Shouwen, vice minister of the Ministry of Commerce and deputy representative of international trade negotiations, said that while closely monitoring the operation of foreign trade, all localities and relevant departments should also introduce some local support measures in light of the actual situation, so as to improve the efficiency of policy implementation and enable foreign trade enterprises to achieve stable growth and improve quality by enjoying policy dividends under a series of uncertainties.

　　For the future trend of foreign trade, experts said that with the effective implementation of a package of policies and measures to stabilize growth, foreign trade logistics will be further unblocked, and enterprises will resume work to reach production and speed up further, and China’s foreign trade is expected to continue to maintain a warming momentum.

　　China Economic Net, Beijing, August 25th (Reporter Yang Miao) With the release of GDP in the first half of the country, various provinces and cities in China have successively released the "report cards" of GDP in the first half of 2016. According to the statistics of China Economic Net from official website of the National Bureau of Statistics, at present, all 31 provinces and cities have published their GDP data for the first half of 2016.

　　The data shows that the GDP growth rate of 23 provinces in the first half of the year outperformed the national GDP growth rate of 6.7%. The growth rates of Beijing, Shanghai and Jilin were the same as the national growth rate, and only Yunnan, Hebei, Heilongjiang, Shanxi and Liaoning were lower than the national growth rate.

　　China Economic Net found that the situation in the three northeastern provinces improved in the second quarter, and the GDP growth rate in Jilin was equal to the national level. Although the GDP growth rate in Liaoning Province was still negative, the growth rate increased.

　　China’s GDP increased by 6.7% in the first half of the year.

　　The national economy is generally stable.

　　The National Bureau of Statistics recently released the national economic data for the first half of the year. It is understood that the GDP in the first half of the year was 34,063.7 billion yuan, with a year-on-year increase of 6.7%, and the growth in the second quarter was 6.7%, which was the same as that in the first quarter. On the whole, the national economy has maintained a generally stable, steady and progressive development trend.

　　Among them, the added value of the primary industry was 2,209.7 billion yuan, a year-on-year increase of 3.1%; The added value of the secondary industry was 13,425 billion yuan, up by 6.1%; The added value of the tertiary industry was 18,429 billion yuan, up by 7.5%.

　　According to experts’ analysis, it is really hard-won for China’s economy to achieve 6.7% growth in the context of the continued slowdown of world economic growth.

　　Of the 12 western provinces, only Yunnan’s growth rate has not exceeded the national level.

　　Chongqing’s growth rate for 10 consecutive quarters is "among the best"

　　It can be found from the table that the year-on-year GDP growth data of 31 provinces and cities in the first half of 2016 shows that Tibet, Chongqing and Guizhou lead the country in this indicator, with GDP growth rates of 10.6%, 10.6% and 10.5% respectively. The top three were all taken by the western provinces. On the whole, except Yunnan, the other 12 western provinces all exceeded the growth rate of 6.7% in the first quarter of the country, and the economic development momentum of the western provinces continued to increase.

　　The transcripts of Chongqing and Guizhou in the first half of the year were still bright, and the growth rate remained in the top three, with an increase of more than 10%.

　　According to China Economic Net, Chongqing has maintained its economic growth rate in the forefront of the country for ten quarters under the great downward pressure. Zhang Fumin, deputy director and spokesman of Chongqing Municipal Bureau of Statistics, said that it is not easy for Chongqing to maintain such a high growth trend. He believed that the rapid development of five functional regions, industrial transformation and upgrading, structural adjustment, accelerated formation of new impetus and new economy worked together to support the beautiful economic landscape of Chongqing in the first half of the year.

　　In addition, Guizhou’s performance has been excellent in recent years. Luo Guanghua, a professor at the Party School of Guizhou Provincial Party Committee, pointed out that Guizhou’s rapid economic development is mainly due to the small total GDP, which is relatively fast.

　　The GDP growth rate of the eight provinces in the first half of the year declined compared with the first quarter.

　　Hainan has the largest decline.

　　According to the statistics of China Economic Net, as can be seen from the table, compared with the GDP growth rate in the first quarter, the GDP growth rate of Chongqing, Tibet, Jiangsu, Hainan, Henan, Shaanxi, Inner Mongolia and Beijing declined in the first half of the year. The GDP growth rate of Jiangxi, Anhui, Fujian, Qinghai, Shandong, Shanghai and Yunnan was the same as that of the first quarter. The GDP growth rate of other provinces has increased compared with the first quarter.

　　Among them, Ningxia, Xinjiang and Gansu increased significantly compared with the first quarter. Xinjiang’s GDP increased by 8.0% last year, 1.1 percentage points faster than the 6.9 in the first quarter.

　　Wang Yue, deputy director of the Statistics Bureau of Xinjiang Uygur Autonomous Region, pointed out at the press conference that under the guidance of a series of steady growth measures, the steady growth trend of Xinjiang’s economy has not changed, the pace of structural adjustment, transformation and upgrading is gradually accelerating, and the quality and efficiency of economic growth are gradually improving.

　　Compared with the first quarter, Hainan’s GDP growth rate in the first half of the year dropped significantly by 1.6 percentage points.

　　Jilin’s GDP in the first half of the year "tied" the national growth rate

　　The economic development of the three northeastern provinces has "recovered"

　　China’s economic development has entered a new normal, facing structural adjustment and transformation. De-capacity has been ranked among the "five major tasks" of economic work in 2016, and supply measurement reform is a high-frequency word this year.

　　According to China Economic Net, in the ranking of GDP growth rate of 31 provinces in China in 2015, the economic growth rate of 5 provinces was lower than 6.9%, including Liaoning, Shanxi, Heilongjiang, Jilin and Hebei, among which Liaoning ranked first from the bottom with a growth rate of 3%. In the first quarter of 2016, these five provinces once again ranked the fifth after the GDP growth rate, and Liaoning experienced negative growth for the first time.

　　From the data of the first half of the year, the three northeastern provinces are divided, and the overall situation of Jilin is obviously better than that of Liaoning and Heilongjiang. The GDP growth rate in the first half of the year tied the national level, which is the first time since 2014, which strongly responded to the argument of singing the decline of the Northeast economy.

　　Although Heilongjiang Province is still ranked last, it has maintained a steady upward trend compared with the first quarter. Although Liaoning Province continued the negative growth trend in the first quarter, the data also picked up.

　　Yao Jingyuan, a special researcher in the State Council Counselor’s Office, once said that the three northeastern provinces have the foundation and conditions, and the economic growth rate can pick up. Taking the manufacturing industry as an example, the northeast has advantages that many provinces do not have.

　　In order to revitalize the economies of the three northeastern provinces, according to China Economic Net, the National Development and Reform Commission recently issued the "Three-year Rolling Implementation Plan for Promoting the Revitalization of Old Industrial Bases in Northeast China (2016-2018)", focusing on four core tasks: improving institutional mechanisms, promoting structural adjustment, encouraging innovation and entrepreneurship, and ensuring and improving people’s livelihood. In addition, the implementation plan also clearly speeds up the improvement of the government management system, deepens the reform of state-owned enterprises, and promotes the development of private economy, including formulating and organizing the implementation of the reform plan of state-owned enterprises in Northeast China, and reorganizing and forming a number of state-owned capital investment companies and operating companies in Northeast China.

　　The GDP growth rate of eastern provinces is not as fast as that of western provinces.

　　Policy inclination promotes economic development in western China

　　Judging from the numerical changes of GDP of 31 provinces and cities in the first quarter, the top three are all eastern coastal areas, namely Guangdong, Jiangsu and Shandong. The total GDP in the first half of the year was 3,735.759 billion yuan, 3,653.173 billion yuan and 3,168.829 billion yuan, and the three provinces continued to sit firmly in the "trillion club".

　　China Economic Net found that although Guangdong and Shandong ranked in the top three in terms of total GDP, Guangdong ranked 19th and Shandong ranked 20th in terms of GDP growth rate of 31 provinces and cities in the first half of the year, and their GDP growth rates were not very high, at 7.4% and 7.3%, far less than those of many western provinces.

　　China Economic Net understands that the eastern provinces of China are developing export-oriented economies, and the economic growth rate will inevitably be adjusted due to the global economic downturn. Compared with the eastern region, the central and western regions have undertaken a number of industrial transfers in recent years, and they have been tilted by national policies. These factors will promote the economic development of the western region.