Yuan Biao and his wife fell in love at first sight, and they chose to emigrate with their families during the popular period and spent 40 years together. During this time, they never had any gossip and kept a low-key attitude towards life. Although Yuan Biao once had a high popularity and popularity in Asia, he gradually faded out of the entertainment circle after his marriage and focused on family and parenting.

During the prosperous period of Yuan Biao, he once released the best-selling records, which proved his popularity. However, with the passage of time, Yuan Biao gradually faded out of public view and shifted the focus of his life to his family. Now, he has become a loving father and family darling, and he has been spending every bit of his life with his wife.

Yuan Biao’s life is full of legends. His role change from an action superstar to a family darling shows the uncertainty and diversity of life. In this process, he not only maintained deep feelings with his family, but also added many precious memories to his life. All this stems from his loyalty to his family and his love for life.

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　　CCTV News:What is the new era?

　　"At present, a new round of technological and industrial revolution represented by information technology is sprouting."

　　What is cultural confidence?

　　"The door to China’s opening to the outside world will not be closed, but will only grow bigger and bigger."

　　Therefore, the most intuitive expression of cultural self-confidence in the new era is to present our best cultural products to the world.

　　On November 30th, news spread like wildfire that Netflix, the global streaming media giant, bought the overseas distribution right of "White Night Chasing the Murder", which means that in the future, this homemade online drama, which has won numerous praises this year, will be broadcast in more than 190 countries and regions around the world. At the same time, "White Night Chasing the Murder" has also become the first domestic online drama series in China to be widely broadcast overseas.

　　Well-made and well-received in off the charts, the quality of good plays is obvious to all. Since it was broadcast in August this year, the cumulative broadcast volume of "Chasing the Murder at White Night" has exceeded 4.5 billion, and Douban scored 9.0. It is not surprising that it became popular. As a global streaming media giant, Netflix, which has produced excellent dramas such as House of Cards and Strange Tales, has gradually occupied a large number of screens with original dramas in recent years. There is no doubt about the selection and control of content, and its influence in the world is absolutely not to be underestimated, which also reflects Netflix’s recognition of this drama from the side. As soon as the news came out, netizens exploded, which made many people feel "excited". Some netizens commented that it was finally our turn to show foreign friends the drama.

　　In fact, this is not the first time that a domestic drama series has gone out to sea.

　　In the era of radio and television, the first episode of The Journey to the West, a CCTV version, set a viewing record in Nepal, and Princess Huanzhu quickly became popular in Southeast Asia. Whether it’s classic masterpieces such as Romance of the Three Kingdoms and Desire, or a few years ago’s Beautiful Times of Daughter-in-law, "China fever" has also set off overseas.

　　In the Internet era, Empresses in the Palace’s nirvana in fire, which has carried the spirit of China’s traditional culture in recent years, and Why Shengxiao Mo and My First Half Life, which have interpreted the feelings of China’s modern urban life, have also opened a place for China culture in cyberspace.

　　It is not difficult to find that the "China Seal" is the first reason why domestic dramas can be loved by foreign audiences. Our history, exquisite clothes and ancient way of life are all places that foreigners are most interested in. A series of works involving the ancient history and culture of China, including ancient costumes and martial arts, have attracted the most attention. They even regard them as teaching materials to learn and understand the history of China. On the American film and television subtitle website VIKI, there are a group of "brain-dead powder" who are keen on Chinese TV dramas. They not only count the update time of domestic dramas with their fingers, but also "urge them" on the website every now and then. While stimulating the curiosity of foreign netizens, it also forced them to gather spontaneously and start making English subtitles. On the famous video website Youtube, there is a special area for China TV series, and many series can even be broadcast simultaneously and translated into English, which is as hot as that in China and has a traffic of tens of millions.

　　The cultural industry is booming in China, and film and television plays have always been a sharp weapon for the export of national culture. According to statistics, the output and quantity of China’s TV plays have been ranked first in the world for a long time, but 70% of the output is mainly in Southeast Asian countries, and relatively few in Europe and America. On the one hand, it comes from the differences of background culture. For example, after Empresses in the Palace logged into the United States, it was reduced to six episodes, and the plot was fast-forwarded, and some characters simply disappeared. After three days of broadcasting, it was even colder, and then it was reversed. On the other hand, the lack of distribution channels has greatly reduced the communication effect of domestic dramas going abroad. Therefore, domestic dramas should not only simply "go abroad", but also succeed in commercial cooperation. Without so much cultural background knowledge, how to express the aesthetics of Chinese culture internationally, from quantity to quality, is also an aspect of cultural self-confidence.

　　With the development of globalization and the construction of "destiny community in cyberspace", film and television plays, as the most direct cultural product and communication bridge, have gradually become an important symbol of national cultural soft power. In September this year, five ministries and commissions jointly issued the Notice on Several Policies to Support the Prosperity and Development of TV Plays, which clearly put forward the requirements of supporting outstanding TV plays to "go global" and enhancing the competitiveness and influence of China TV plays. In fact, different from the previous world’s directional thinking about Chinese culture, with the promotion of China’s international status, there is an increasing demand in the international cultural market for cultural products with profound knowledge, connotation, quality assurance, description of the real society in China and the spirit of China.

　　"Chasing the Murder in a White Night" is a successful cultural output in the network voice. Relaxation is moderate, rigor is not procrastinating, stylized narrative structure and film-like texture make this modern criminal investigation drama quickly occupy the network popularity list. As a phenomenal online drama, the development of Internet platform also provides a new development space for the dissemination of excellent domestic TV dramas. In recent years, the popular IP-adapted online dramas have shown a spurt of development. Compared with the previous low-cost and low-quality online dramas, the content has become richer and richer. The injection of professional teams and a large amount of funds has also significantly improved the quality, and the audience has gradually changed their views on online dramas. It can be said that with the help of the Internet, new media and other vivid displays, online self-made content has fully entered the era of quality.

　　Under the background of new historical conditions and great cultural development and prosperity, it is also a part of China’s cultural soft power competition to attach importance to technological innovation, strengthen the deep integration of cultural communication and the Internet, and focus on cultural self-confidence in the network age. From attention to recognition, we can easily find that the production standard of "domestic products" is getting higher and higher. No matter how it is presented to the audience, there is no doubt about the production direction of TV dramas in the next few years. Good content and high quality not only provide opportunities for domestic dramas to go abroad, but also provide us with the confidence to establish and enhance cultural self-confidence. Through these dramas, foreign audiences have deepened their knowledge and understanding of China’s profound cultural heritage, which is also an important manifestation of China’s transformation from a cultural power to a cultural power.

　　I believe that there will be more domestic TV dramas in the future. We also expect China’s film and television works to overcome many difficulties, gradually become China’s cultural business card, convey more China voices, and explain to the world more excellent cultures with China characteristics, China spirit and China wisdom. (Text/Wang Jiaying)

CCTV News:Wheat harvest was in full swing in the north, and summer sowing in the south was also at that time. Since June, thousands of acres of terraces in Shijing Village, Zhangzhou City, Fujian Province have ushered in the rice transplanting season. Viewed from the air, the newly ploughed terraces have distinct layers, just like fingerprints embedded in the earth, which are beautiful. Plowing fields, dissolving fields, separating seedlings and transplanting seedlings, with the cooperation of villagers, rows of lush seedlings are neatly arranged in the fields.

In recent years, relying on terrace resources, the local area has developed single-season rice planting, at the same time, it has created rural leisure agriculture sightseeing tourism, developed multi-industry integration mode, and driven villagers to become rich.

Recently, Hollywood has been particularly popular in remake, and even Spielberg, the great director who has been deified, can’t avoid custom.

West side story, the previous film, won ten awards including best film and best director at the 1961 Oscar. It is not difficult for the new version to surpass or match.

First, the obviously outdated storyline

The film is set in new york in the 1950s. The Jets, led by white people, and shark tale, led by Puerto Rican descendants, fought for territory. In the two irreconcilable gangs that hated each other, Tony and Maria had an epic love affair. Unfortunately, this pair of bad karma mandarin ducks in troubled times could not resist the hereditary struggle between the gangs, and finally ended in tragedy.

The original work has a long history, and it can arouse the audience’s wide resonance in that year, because it can grasp the social hot issues of that era and make the audience resonate enough through the rendering of images. But nowadays, with the continuous development of society, this story of loving each other but not being together is obviously out of touch with reality, and it is as pale as a blank sheet of paper that makes passers-by feel nothing.

This can’t blame the audience for liking the new and hating the old. After all, as ordinary people, they still hope to see more unusual things through the big screen, instead of just taking out the cold rice swept into the corner of history and frying it again.

This is particularly prominent for China audiences who have no idea about the background of the film. The rapid development of various plot twists in this film always makes Chinese people feel at a loss after watching it.

For example, love at first sight between the hero and heroine. Tony from the Jet Gang was sent to prison for some unspeakable reasons. After he was freed, he met Maria, the sister of the leader of shark tale, at the first dance. The two young people fell in love with each other quickly after loving each other.

For this kind of romantic love that can only exist in fairy tales, the film did not pave the way too much, as if it was natural because the crowd took one more look at each other.

Although the above-mentioned artistic treatment can resonate with a few people, it is difficult for most people to accept it, and its permanence is even more doubtful. This film is good, which not only carries forward love at first sight, but also makes the two protagonists love each other to death in just two days, unless the other party does not marry.

Art can be higher than life, but the premise is to learn from ordinary society. A love that has no sense of CP and no foundation, even if it is tragic, is just like a castle in the air and completely ungrounded.

What is incomprehensible is that Tony accidentally killed Maria’s brother Bernardo, went to say goodbye to his beloved girl and intended to surrender himself. As a result, not only was Maria forgiven, but their feelings suddenly warmed up and became intimate.

In the face of her brother and girlfriend Anita’s questioning, Maria felt no guilt, and even used the so-called love as an excuse, hoping to get each other’s understanding. The above plot is no longer a reasonable category, but has become a naked challenge to the moral bottom line of human society.

As love, its foundation and premise is not to cause any harm. Tony has done something to hurt Maria. Even if normal women don’t give him a break, they should never be more infatuated with each other. The film ignores the setting of normal ethics, so it is difficult for the audience to have any sympathy, let alone accept it completely.

　Second, the inheritance and persistence of the technical level

Whether a musical is good or not depends on the level of music and dance. This film is quite well done.

As Spielberg, who has worked hard in the film industry for 50 years, his technical attainments can be described as pure love. Even in the field of musical films, director Si can still hand over a satisfactory and beautiful answer sheet.

Due to the consideration of deployment, many musical films will sacrifice a lot of body movements and only balance with beautiful music. This film does the opposite. It doesn’t pursue a long song aria, but takes dance as the first breakthrough point. Through the cutting of the picture and the performance of the actors, the audience can get the greatest pleasure with the naked eye and improve the texture of watching movies.

In the film, there are not only group cooperation, but also SOLO to show individual ability. More importantly, it also incorporates many thrilling fights into the dance, which makes the ugly violence exude a special beauty. There is a passage in the film in which Tony and his good friend Reeve decide to win or lose by fighting for pistols because of their different ideas. With the continuous cut-in and cut-out of the picture, the two actors are fighting for each other, but all the body movements are always around the guns on the ground. Careful arrangement, exquisite composition and skillful photography and editing make the whole performance full of charm.

The story of this film took place in the 1950s, and its costume props were very elegant. No matter the scenes, buildings, or the shapes and costumes of the characters, they were highly restored. In order to reflect the texture of that era, the film specially processed the pictures accordingly, giving the whole film a kind of classical hazy beauty of the last century.

In the eyes of many old fans, the forties and fifties of last century were the golden age of Hollywood movies, which not only produced a large number of cross-era works that influenced the later Hollywood style, but also created a group of superstars who led the fashion trend. Casablanca and Roman Holiday became immortal classics in many people’s minds.

Born in the forties, Si Dao is permeated with longing for that beautiful era in his bones, so he will spare no effort to reuse the elements of that period in his works and pay tribute to the lost beauty in various ways.

At the same time, in order to cater to the young audience, Si Dao has also joined a large number of hot topics in the current era. Although there are descriptions of racial discrimination in the original version, it has not been exaggerated for historical reasons. The new version of west side story has raised the topic of racial discrimination to a very important height, the first of which is the fight between the Jets and shark tale.

There are a lot of provocative lines in the film, which directly reveal the attitude of the society from top to bottom, and the key turning point that determines the tragic fate of the hero and heroine is all due to the sexual harassment of Anita by the Jet Gang. Accusations of racial discrimination enable the film to win the favor of mainstream awards. From this point of view, director Si really understands the hearts of the judges and the audience.

Third, the creative confusion of famous directors

West side story won seven nominations in the 94th Academy Awards, especially for best film and best director, which proves that Spielberg is still body of work. However, although the film technology is excellent, photography, sound effects and artistic direction are all remarkable, it is difficult to have anything that can really impress the audience.

A large number of palace-level directors, represented by Si Dao, are still full of creative energy and can’t find anything wrong with their techniques, but their works always have a sense of deja vu.

Perhaps they also want to break through, but the deep-rooted creative thinking leads to the above-mentioned efforts are always superficial, neat and neat, but the freshness is seriously lacking.

And Hollywood’s tradition of respecting the elderly is even more difficult for them. After all, as long as they don’t make low-level mistakes, the reputation of their works will not be bad. Such a vicious circle makes it difficult to make bold moves.

After more than 100 years, the film industry needs constant innovation to lead its development. Although it can be successful in a short period of time if it always adheres to the original orthodox creative method, it will undoubtedly do great harm to the industry, but today’s film market is becoming more and more conservative. Except for a few technocrats, everyone basically wants to lie on the credit book for the rest of their lives, making the creative style gradually uniform, as if it were a product produced by an assembly line.

West side story didn’t make much innovation on the basis of the original work, but it upgraded the original technology by using more advanced equipment and means. Just like a gift box, it was more beautifully packaged, but its taste didn’t change much. For audiences who have tasted various tastes and read a lot of films, it is more like chicken ribs, which is tasteless and a pity to abandon.

　　Liangzhou District, Wuwei City, Gansu Province, made a "strange trick" in the written examination of the public security system in the whole district, and asked 18 local young pioneers to invigilate. As a result, these children caught 25 cheaters. Small invigilators can catch 25 cheaters. Of course, it doesn’t mean that they can see more clearly than big invigilators. They are just not contaminated with the bad habit of "turning a blind eye". Only by starting from the system and relying on temporary innocence can we fundamentally solve the problem. Pupils’ invigilation to catch cheaters is like the whole officialdom. Some things children can do, just to see if "invigilation" turns a blind eye.

　　Jia Qian, a poet, is an associate professor at the College of Literature of Northwest University and a tutor for master students. He is also the executive deputy curator of Jia Pingwa Literature Museum.

　　On January 28th, the WeChat official "Talk about Literary Freedom" published an article by critic Tang Xiaolin, "Jia Shallow Bursts Red, Highlighting the Chaos in Poetry", which stirred up a thousand waves with one stone. The article criticizes Jia Shallow’s poems as "Enter-line writing" and "dirty and disgusting junk words", and holds that Jia Shallow’s poems are not commensurate with the honors he has won, but more praised by his father — — Jia Pingwa, Vice Chairman of Chinese Writers Association and Chairman of Shaanxi Writers Association.

　　"Domestic poetry has not been so lively for a long time." On February 1st, the client of Henan Daily published a commentary saying that, embarrassedly speaking, although most of the domestic poetry circles are silent, they can always cause a strong crowd with the sound of breaking the earth, which is quite shocking in silence. After the popularity of "pear style" and "nonsense style", "foul language style" was born, and "founder" Jia Shallow was the daughter of writer Jia Pingwa.

　　According to the author Zhao Zhijiang, among all Chinese characters, poetry is undoubtedly the most "poetic" because it satisfies people’s imagination of all beautiful things. People are not only happy with the picturesque scenery, but also can’t help looking forward to a poetic life. Poetry can not only convey feelings, but also chant aspirations and enjoy all kinds of situations and tastes. From "vernacular" to "nonsense" to "foul language", the technical threshold of poetry creation seems to be getting lower and lower. What is even more embarrassing is that the style seems to be falling all the way, and even people can’t bear to look straight.

　　According to the article, if "vernacular" and "nonsense" still belong to the problem of expression, then "foul language" is undoubtedly a problem of ideological quality. Surprisingly, although the threshold of poetry creation has been falling all the way, the threshold of poetry evaluation seems to be high all the way, so that no matter what kind of poetry is rolling, there are always people who criticize it in the name of "you don’t know art" After Jia Shallow’s unexpected popularity, similar voices sounded again. Apart from the habitual conceit of "you don’t know poetry", there is also a voice that "generalizes everything by partiality". The implication is that Jia’s shallow collection of poems contains many works, but the "busybodies" just take out a few to talk about things. Since it is included in the album, every poem must have been carefully selected. No poet can be meticulous, but he will be responsible for every word he writes. This is not a literary aesthetic, but a poet’s bottom line. Why can’t it be disputed?

　　Zhao Zhijiang pointed out that frankly speaking, poetry appreciation needs a certain literary background. However, this does not mean that the public aesthetics can be directly ignored, and it does not mean that everyone must chew the poetry of the spring snow from the narrative of the Xialiba people. In real life, some people seem to stubbornly believe that if you want to evaluate an egg, you must be a hen first. This logic of "you do what you do" seems to be full of professional power, but in fact it is just a defender of "circle culture", which is undoubtedly a sign that elegant fields such as literature and art are drifting away from the public aesthetics.

　　Regarding the controversy caused by Jia Qian’s poems, Xin ‘an Evening News reporter interviewed a famous domestic poet. The poet said that he could neither kill with a bang nor kill with a stick. "Personally, I think her poems can’t be as useless as what Tang Xiaolin said. I remember that when she was in Luyuan, some of the works she took in her class were good, but the ones pointed out by Tang Xiaolin were really unreadable. They weren’t poems. They were definitely not poems, non-poems, or spoken things. " Poet X believes that these poems attacked by the Internet are, to some extent, an indulgence of Jia Shallow’s own writing, or an unrestrained retrogression. "Poetry brings beauty to people. When these things are taken out, I think this is a manifestation of a poet’s least promise. But China’s poetry, after the emergence of the lower half of writing, and saliva poetry writing, including ‘ Qing Wu style ’ After these poems came out, they brought a negative impact on our poetry circle, and it is not excluded that there are so-called poems in the poetry circle that don’t talk nonsense. It is indeed problematic. "

　　According to the report, when talking about Jia Shallow, the poet thinks that although her father Jia Pingwa brought her a lot of "welfare", her works were distributed everywhere and attended the youth poetry meeting. "But we don’t deny that Jia Shallow has her inner things, because after all, some of her poems, essays and essays are still well written. As for an author, I personally think that young writers, in particular, should give priority to support, and we can’t completely deny just one part or two or three poems. I think this may be detrimental to the growth of young writers and the poetry circles in China. We can’t kill either, and we can’t kill with a stick, which may be what we should always insist on. We should be alert to some ‘ The second generation of Wen ’ Poets who have become popular should be vigilant and rational in their analysis. They should not be killed with a stick just because there are some problems in their poetry practice or poetry experiment. I think this is all wrong. I think Jia shallow this matter, my personal opinion is that we can’t completely deny her a few poems, nor can we completely deny her poems because she has a big father in the literary world, because she can’t choose her own father. It still depends on her individual literary creation itself. "

　　In addition, the Beijing News published a commentary on February 2 nd, "Jia Pingwa’s daughter’s poems can be approved, but don’t presuppose a position because of her identity", pointing out that it is not impossible to play as "Jia Pingwa’s daughter", but it cannot be without boundaries. At present, many netizens’ doubts about Jia Shallow are based on the imaginary "tricky theory" and "insider theory". However, it is difficult to support the conclusion of brain supplement by taking a stand first, and it is more like being black and black.

　　The article believes that, yes, there are many subjective evaluation criteria for poetry. But in any case, the evaluation standard should be "on poetry" — — At least, poetry itself is evaluated by the standards of poetry. That kind of out-of-context evaluation is really "shallow".

　　[Information] Asia made its debut in the world, but the official price was not announced. Abroad, its price starts at 150,000 pounds (the soft-top convertible version starts at 160,000 pounds), equivalent to 1.59 million yuan. Taking advantage of the opening of the exhibition hall in Hangzhou, aston martin, I got aston martin Virage (hard top version) from the dealer.Pre-sale price:418.7Starting from ten thousand yuan. From now on, this model is fully accepted for booking.Book a pickup car in November now.

　　Aston martin Virage is located between DBS and DB9, and there are two versions: the coupe version and the soft-top convertible version.And optional 2+2 seat layout (about 70,000-90,000 yuan).In terms of body size, the length, width and height of Virage are respectively4,703×1,904×1,282mm, reaching 2740 mm.

　　Virage, aston martin, assembled a large-size Carbon Ceramic (CCM) carbon fiber/ceramic composite brake disc. Equipped with brake calipers with front six and rear four, it brings strong braking force to Virage at high speed. And equipped with Potenza 20-inch double five-amplitude alloy wheels, the matching shape is very fast.

　　At the top of the center console is the 6.5 satellite navigation system jointly developed with Garmin. Below the air outlet of the air conditioner is the 6-speed Touchtronic II transmission button, which has four buttons for P, R, N and D.. In addition, this model is also equipped with ADS system, which can be switched in Normal and Sport modes. There are five kinds of soft and hard adjustments to accurately present the road quality and find the most flexible balance between driving and handling.

　　Virage shares the chassis and power system with DB9, so its chassis structure is the same as that on DB9. All of them are designed with aluminum VH structure on aston martin, and the front and rear suspensions are designed with structure.

　　In terms of power, Virage uses a 6.0-liter V12 natural intake, with a maximum of 490 horsepower. Because the vehicle positioning happens to be between DB9 and DBS, the power output data is 20 horsepower more than DB9 and 20 horsepower less than DBS. The peak value of 570N·m can also be achieved at a lower speed. According to official data, Virage can complete an accelerated sprint of 0~100km/h in just 4.6 seconds, and the top speed can reach 299 km/h.. Paired with the engine is a 6-speed Touchtronic 2 gearbox tuned by ZF.

　　Editor’s note:Aston martin Virage has announced the official selling price in China, but the price quoted by the dealer starting from 4.187 million yuan is very accurate, and this price does not include the selling price of accessories.Want to know more about this car, please pay attention to the analysis of aston martin Virage real shot that I will bring you exclusively tomorrow.. (Photo/Text car home Zhang Ran)

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CCTV News:According to the data released by the National Bureau of Statistics, in the first quarter of this year, the income and consumption growth of rural residents exceeded that of urban residents. Experts said that in recent years, the consumption of rural residents in China has gradually shown obvious characteristics from "survival" to "development" and from "life" to "experience".

Wang Xiudong, Deputy Director of Strategic Research Center of China Academy of Agricultural Sciences:From the whole classification, our (rural) residents’ consumption of eating out and education has the fastest growth, with a growth rate of 28.6%.

Experts believe that the reasons for the rapid growth of rural consumption are not only the increase of farmers’ income, but also the accelerated development of urban-rural integration, the flow of urban elements to rural areas, the extension of urban infrastructure to rural areas, and the deepening interaction between urban and rural residents’ living consumption.

Chen Lifen, a researcher at the Institute of Market Economy, the State Council Development Research Center:This results in three consumption increments. The first is the increase in consumption brought about by the upgrading of rural catch-up cities (consumption); The second is the new space for consumption caused by the sinking of industry and the sinking of consumption brought about by returning home to start a business; The third is the new increment of consumption brought by urban people’s consumption in rural areas.